|
|
| 61. | With these she decorated her hair and her young waist, and became a nymph child, or an infant dryad, or whatever else was in closest sympathy with the antique wood. |
| 她用这些花枝编成花环，戴往头发上，缠在腰肢间，于是便成了一个小仙子，或是林中小仙女，或是同古老的树林最为亲密无间的什么精灵。 |
|
|
| | |
| 62. | She had a whiter bosom and a smaller waist and a tinier foot than any girl present, but for all they mattered she might just as well be lying beside Charles with "Beloved Wife of" carved over her. |
| 跟在场的任何一个女孩子相比，她的胸脯更白，腰肢更细，双脚更小巧，但是，不管这些多么重要，她仍然只配躺在查理身旁，墓碑早刻着"某某爱妻"的字样。 |
|
|
| | |
| 63. | what they like and remain thin, while others find that every extra calorie goes straight on to the waistline |
| 构成这一名为PPARd的感受体的基因的存在，也能从某种程度上解释为什么有的人并不忌口却仍能保持身材，而有的人却仿佛摄入的所有热量都立刻囤积在了腰上。 |
|
|
| | |
| 64. | It is hardly poetic to write about a knockout's two-thirds ratio, nor equally appropriate across cultures to scribe complementary descriptions of bosoms and behinds, so the analysis focused on romantic references to female waists. |
| 关于美人的2/比例的作品很难有什么诗意，同样，跨越文化界限去记录丰乳肥臀的赞誉之辞也不合适，所以，分析的重点集中在对女性腰肢的柔情描写上。 |
|
|
| | |
| 65. | To display the protruding breast of a woman, the designers make the waist girth appear as thin as possible to represent the high breast indirectly; by means of the flat back of chipau they highlight the wavy shape of the breast. |
| 旗袍在交代妇女隆起的胸部时采用了避实就虚的设计手法，把整个女性身体视为一个联系性很强的整体，通过腰肢纤细的设计而突现胸部的丰腴；通过背的平展而夸前胸的波型。 |
|
|
| | |