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| 21. | apogee of the art of stone carving in the region in ancient times beginning from the middle part of the Northern |
| 须弥山石窟反映了从北朝中晚期到隋、唐各代的佛教石刻艺术，是古代宁夏地区劳动人民文化艺术的结晶。 |
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| 22. | Shen Gua (1031-1095) of the Northern Song Dynasty (960-1127) once wrote the following passage: |
| 北宋沈括(1031-1095)记载： |
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| 23. | the relation of inherit and develop and influencing on the later ages in decorative art between Tang Dynasty |
| 第四章,总结北宋装饰艺术与唐代的继承和发展关系以及对后代的影响。 |
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| 24. | The capital city of the Northern Song Dynasty Bianliang, named Kaifeng today, were known for its peerless |
| 北宋汴梁城，即今天的开封市，一度因其繁华闻名于世，却突然从地面上神秘消失。 |
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| 25. | period from the Bronze age to the early Iron age, about 2500-4000 years ago; modern period, from the Northern |
| 大概是分成3个不同时期完成的，即旧石器时期;青铜器时期到铁器时期早期，约2500年到4000年前;近代时期，从北宋(公元386年到581年)时期到清朝。 |
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| 26. | Studying Up on the Northern Wei Dynasty Stone Tablet Inscription Ode to the Emperor’s South Inspection |
| 北魏《皇帝南巡之颂》碑考察报告 |
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| 27. | In Yuan Shao's Tomb of the Northern Wei Dynasty, there are two figures of ethnic Hu people. |
| 北魏元邵墓有两件"胡人俑"， |
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| 28. | The Northern Wei Dynasty started a transition from nomadic regime to feudal one in the Ping Cheng era |
| 北魏在平城时代进入了由游牧政权向封建政权过渡的历史时期。 |
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| 29. | The style of high reality succeeded to the tradition of imperial art academy in Northern Song Dynasty |
| 此图高度写实的绘画风格继承了北宋画院的传统，而荷塘的迷蒙与空灵亦增添了画面恬静淡雅的抒情效果。 |
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| 30. | Inscription of Zhao Xuan and political factor of Taoism of the imperial court in the Northern Wei Dynasty |
| 赵暄墓志与都洛北魏朝廷的道教政治因素 |
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