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51. Implementation of the intended conception of seal and clerical script into standard and running and cursive script illustrates that the development of seal and clerical script had become foundation of the whole Stele School calligraphy. .
而清末书坛上盛行的将篆、隶笔意运用到楷书甚至行、草书体中的风气,更说明篆、隶书体的发展,已经成为整个碑派书法的基础。
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52. The people of Song Dynasty did not evaluate highly to monk cursive script and mostly were criticism.
宋人对僧人草书的评价不高,以批评居多;
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53. His calligraphy,especially t he cursive hand,is quite unique and has a great impact in China.
他的书法,尤其是草书在当代中国独树一帜,影响巨大。
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54. The transformation is reflected not only by the change of writing,of the strokes of Chinese characters and of the formation of characters,but also by the deformation,the change into cursive script and the decoration of the seal's font.
金文的“楚化”不仅表现在用笔、结体及构字法的变化上,而且还表现在楚人对大篆字体的变形、草化和装饰美化方面。
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55. After pectination of cursive script monk colony during the Middle and late Tang Dynasty, analyses of their calligraphy styles, origin, calligraphy environment and mode of displaying, the paragraph drew a conclusion of the calligraphy style mainly influenced by Zhang Xu and Huai Su.
一、对中晚唐的草书僧群体作一梳理,并分析他们的书法风格及源流、书写环境、表现方式等,从而得出结论:在风格上主要受张旭、怀素的影响;
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56. 11 During their long history of development, Chinese characters have evolved and been written in many different artistic styles, including inscriptions on bones or tortoise shells and ancient bronze objects, the seal character, official character, regular script, running script, and cursive script.
鹤衷谄渎?さ姆⒄故分醒莼?尚矶嗖煌?囊帐跣问剑?渲邪??坠敲?摹⑶嗤?髅?摹⒆?椤⒘ナ椤⒖?椤⑿惺楹筒菔椤
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57. Using the solid line as a guide, write as you normally would on paper. Capital letters should be slightly larger. You can write using cursive or printing -- you'll get better results if you use a mix of upper and lower case letters. Do not write using small caps or all upper case.
从左边的第一个方格开始向右逐个书写字符。就像您通常在纸上书写一样,在每个方格中书写一个字符。字符要写得清晰,写完一个字符后,笔才离开方格。
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58. But because there were very few records of cursive script monks in national history of the cursive script, and their works that stored generations are very few, so the descendants quite censure to their works and the students has always ignored this special phenomenon.
因为草书僧在正史中多乏记载,存世作品也非常之少,后人对其作品颇有非议,故这一特殊现象一直被研究者所忽视。
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