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| 51. | The cursive rhythms and hot tonality of hot nudes of the 1920s recall Delacroix, Limited and even conventional in its Mediterranean genre, Smith's best work has great formal authority. |
| 他在1920年代所作的裸体像，具有草书式的韵律与暖色调，使人想起德拉克洛瓦。史密斯以有限的甚至程式化的地中海风格，赋予他的最佳作品以很高的权威性。 |
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| 52. | After pectination of cursive script monk colony during the Middle and late Tang Dynasty, analyses of their calligraphy styles, origin, calligraphy environment and mode of displaying, the paragraph drew a conclusion of the calligraphy style mainly influenced by Zhang Xu and Huai Su. |
| 一、对中晚唐的草书僧群体作一梳理,并分析他们的书法风格及源流、书写环境、表现方式等,从而得出结论:在风格上主要受张旭、怀素的影响; |
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| 53. | Before us, to phenomena of calligraphy, it contains: work, grass hand or regular script. what is its structure? what is its estate? |
| 在我们面前，书法的现象有：作品本身，是草书或概书那种书法特性，书写中字与字/气与行气/与线的关系，字的结构是如何，状态是什么等等。 |
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| 54. | The Chinese calligraphy develops from ancient pr ose words to the style of Chinese calligraphy and official script and script typ e of calligraphy,and again to the standard script of handwriting. |
| 中国书法从古文字发展到篆书、隶书、草书 ,再发展到楷书 ,虽“随体诘诎”的曲线趋于平直 ,但曲线之美的生命之形式与意蕴 ,却越来越深地沉淀于这契合宇宙自然之“道”的灵动圆活的曲线之中。 |
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